At Dan's Analog Laboratory II, he and I fleshed out discreet themes and emotions via storyboards. Our conversation and work made us ready for the theatrical reading of the text.

At first, we sketched out the process on a dry-erase board. Dan explained the process.

We used two types of blank paper, tabula rasa; one for drawing wide storyboards, and another type for words only.

Dan provided an example, the story of his guitar, which is really an everyman kind of story.

Dan explains that this is a story in medias res, in or into the middle of a sequence of events.

All throughout the storyboarding, we highlight certain feelings as colors. Note the reoccuring colors of orange and blue. Orange represents pain. Blue is solace.

After we are finished storyboarding, the story will become sound.
We also design the sound.

It was necessary to flesh out distinct themes.
The themes become sound.